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Artist of The Month: Rita Dee
 
by M. Y. Mim
 
     

Sculptor Rita Dee creates eloquent works of art depicting horses from found driftwood. She writes equally eloquently about her training, process, and inspirations. Rita Dee wrote to ENM the following.

 

"I have always loved horses; my parents finally gave in and gave me one when I was 12 years old. We learned the hard way what not to do with a horse! I have a wonderful husband (of 30 years) and five patient and understanding children. My youngest daughter and I ride every day. Everyone in the family enjoys riding.

 
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Horses have always been my main subject matter. Even when I was more of a painter, horses have been it for me.
There is something mystical about the horse that draws me in; their strength, grace, beauty, agility, gentleness, unpredictably, that element of danger that also exists with them is intriguing. Horses have the ability to transcend what they are. Like no other animal, horses, according to some studies, can reach a troubled teenager.
 
I spend a lot of time just looking at horses. I always work from life. I think working from life lends a certain energy to one's work. My work begins by combing the shores of the Hudson River in up-state New York. The best wood I find in the early spring time. It may sound romantic walking up and down the shores of the mighty Hudson, but it's not. It is very difficult because the currents of the Hudson are very strong and sometimes I get a little caught by the tides. Big rocks line the shores, are very slippery, and the train tracks are uncomfortably too near... but the view of the Catskill Mountains is spectacular.
 

Driftwood sculpture by artist Rita Dee.
Photo by andy@andywainwright.com

 
Sculpture by Rita Dee,
photography by Andy Wainwright©.
 

I begin each piece with the position of the legs and then the whole piece is worked together like a spider web. It is very frustrating each time I begin because it does not look much like a horse. Once the form of the horse begins, then the personality starts to form, and I have a blast working on it. The music that I listen to is very important also. I listen to a wide variety from Gregorian Chant and classical to sound tracks from Hollywood Westerns to good old Cowboy music.

 
Sculpture by Rita Dee, photography by Andy Wainwright©.
 
Life-sized bull made from driftwood by artist Rita Dee.
Photo by andy@andywainwright.com
 
Sculpture by Rita Dee,
photography by Andy Wainwright©.
 
Sculpture by Rita Dee,
photography by Andy Wainwright©.
 
A single piece can take as long as eight months. If I include hand-painted pieces, there's two months, even stained wood. I can't make more than for major pieces a year.
 
I love putting text on my work now. It seems to have more of an emotional impact on people when they look at it. It is almost like theater and it reveals more about myself to the viewer. After all, that is what makes good art of any kind. People like to see your vulnerability whether you are an actor, a musician or a visual artist. The text on the piece will usually speak about something that also is best expressed in the form of the horse. I have a horse called "True Patriot" which is dedicated to the Armed Services and contains all kinds of historical images and words from the founding of our country to the plight of the Native American during the Trail of Tears, to our struggles in Iraq and Afghanistan."
 
To view more of Rita Dee's art and/or purchase a piece, visit her website, http://www.ritadee.net/ or email her, ritamariedee@yahoo.com.
 
Sculpture by Rita Dee, photography by Andy Wainwright©.
 
Sculpture by Rita Dee, photography by Andy Wainwright©.
 
 
Read comments or post your own comments to this article at the bottom of this page.
 
 
About the Author: M. Y. Mim is a free-lance journalist based in Santa Barbara, Ca. She may be reached at mymim3@cox.net, or through her agent R. Almqvist, 805-705-5349. The author wishes to thank Mr. Almqvist for his assistance in making this article possible.
 
 
Copyright © 2009 All rights reserved. The above article is the property of the Author and may not be duplicated or redistributed in any way without permission.
 
 
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VOLUME 4. ISSUE 5 May/2009