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Dressage |
by Creeky Routson |
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An elegant dressage rider canters confidently around the arena waiting for the Judge's signal to enter. The horse is immaculately turned out, every braid is in place. His hindquarters flexed and his hind legs are stepping deep underneath him. He balances effortlessly, appears to lift his shoulders and float above the ground. His canter taps out a clear three beat rhythm with his neck high and arched. His ears are forward and he is alert and eager. The rider smoothly brings him to a powerful trot with imperceptible aids, almost as if the horse and rider had the same thought. As the bell rings they turn down center line. At "X" The rider salutes and then with a look that says let me show you what we can do, they perform a flawless test. |
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Thrilled to watch such a ride but a little bewildered and envious you wander off, thinking "why not me?" What gives this rider the competitive edge? |
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I am going to show you how you can be that prepared, focused, confident rider. There are some things you can do that will change your test riding immediately and you will wonder why you didn't think of them yourself. Other suggestions will take more hard work and practice but you will see the results in future shows. Showing is important; it gives you evaluation deadlines which promote progress. Some very well- schooled, self- motivated riders with strong training backgrounds or working under a strong trainer progress fine, but most of us need these deadlines.
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Showing also gives you great outside feedback from well-trained professionals (if you go to shows that hire rated judges) and can be fun. The way the dressage tests are now written gives you a systematic, progressive approach to training that tests what you need to be accomplishing at each level. It literally gives you a road map to the training scale. |
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With show season approaching you must do your homework. I assume you have been working hard on all the dressage movements with your trainer, at the level at which you want to compete.If you have a young horse you have already taken him places and have done basic schooling and exposed him to sights and sounds so that showing will not be a traumatic time for him. |
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Now you must get together with your trainer and decide on a level and a test or two at that level. Be realistic, it is good to challenge yourself but it doesn't do any good to over-face yourself and your horse so that the judge is forced to give obvious comments (not in the right gait, lead, arena etc) rather than more technical ones that could help you improve such as: this horse puts his hind quarters to the right and when you have him straighter he will be going very well.
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These kind of comments are very helpful and worth the entry fee that you are paying.
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Show the judges what they need to see! Once you choose your test learn the geometry. I know it wasn't everyone's favorite class in school but this is basic geometry.A 20 meter circle in a 20 meter wide arena must touch the rails. Judges would really like to give you good scores but no matter how wonderful your horse is going, if you don't show recognizable movements we can't give you that wonderful score. So let us reward you! Slight miscalculations are only given slight deductions but if the figure isn't close to the correct size or the movement isn't executed close to the right letter it is a severe deduction. These are what I consider the "easy" points. Learning to ride is hard; training your horse is hard. In relation to that, practicing a 10 meter or 20 meter circle is easy. |
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Now take out the test that you chose and look through it. Pick out thegeometrically difficult movements in the test. When working out how to ride exact patterns it will help to remember that the letters are all 12 meters apart except the ones at the ends are 6 meters from the corners. You can tell the patterns that are going to be tough to ride precisely, for instance in training level test 3, the two 20 meter circles at "X". For these circles, find the points at which you need to touch the rail. Remember a 20 meter circle must touch (only touch, it is a circle) the sides of a 20 meter arena. So you can think you would touch the rail for the first circle 2 meters before "R", at centerline touch 4 meters below "G", at the next rail 2 meters past "S" and then head to "X" and change your bend for the circle to the right. Practice touching these marks until the circle becomes round and flows.In first level test 3 one of the geometrically difficult movements is the 10 meter half circle left, followed by the 10 meter half circle right. Remember, if you get the first half circle wrong the second one will be wrong also and that is two scores. |
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Spend time practicing the movements of the test before practicing the whole test so that you focus on the geometry. Breaking the test down and practicing distinct pieces before putting it back together will improve your score immediately. This will make the judges happy, now they can concentrate on scoring the quality of the dressage movements you ride rather than penalizing poor geometry. |
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Now here is a secret that will really give you a competitive edge. While you still have your test out look at the "directive ideas". Yes, these are meant for you too.Judges are taught to look at them and use them as "directives" but they are printed on the test so that riders can see them as well and know what is being emphasized in each movement. There is no secret as to what the riders should be showing to the judges and what judges should be scoring. Think of these directives as you practice your test movements, are you showing the judges what they need to see to give really good scores? Judges are on the competitors side and we have all (most judges) competed and know what it is like to ride down centerline. We love to see those rides that we can give the really high scores to, so show us what we need to see for those 8,9,10 scores.
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Now here is your get out of jail free card: corners. Most riders ignore corners, many riders even despise them having had many comments on tests such as counter flexed in corner, too deep, too shallow in corners and so on. Even when you have comments about your corners, they are not specifically judged UNLESS you do something to really draw a judge's attention to the corner, breaking gait,counter flexed consistently, irregular etc. Generally a judge wants to judge the main part of movements and anything that happens in corners unless extremely disruptive, is a modifier or not even considered in your score.
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So here is where you fix things: make them better, rebalance your horse, get his attention, get him more active, improve his engagement, and make him better on the bit. Get things done in the corners. Use a little leg yield through the corner to set up for a lengthen coming out of the corner, or a shoulder in. Set up you next movement. This is the most valuable part of the arena and riding your corners is something that you can change in your test riding immediately that will give you instant results. Don't use corners as your resting place. You can rest at the end of your test, NOW is the time to ride. |
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Visualization is an important and useful technique in dressage competition.Dressage riders are usually perfectionist, we spend much of our time thinking about how each movement went wrong and critiquing our ride. I know I often even find myself judging and scoring my own test while I am riding it, so I use some of these techniques to help keep myself focused. There are many good books on visualization and meditation and it is important to find something that works for you and use it for competition to help focus and stay away from self - defeating prophecies. Visualization techniques have been found to work especially well in this type of competition where you can take your self through the whole ride moment by moment using meditation and imagery along with trigger words and relaxation techniques. This will take some dedication and work but is worth the effort. |
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When you arrive at the show be sure to give yourself enough time to get your horse relaxed and settled in. Often in northern California we have one day shows, so it is in and out, we need to allow our horse time to get his land legs. Every horse warms up differently so learn how your horse likes to warm up. One of my FEI horses always had to warm up at home and then just a very short warm up at the show. (He was not a fan of showing, but still won the USDF championship at 4th level freestyle, because I managed his warm up how HE wanted it.). |
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Remember your job is to get your horse to the show arena happy and ready to do his work, after all, he's not the one that signed up for the show. |
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Be polite to the show manager they don't get paid enough (probably nothing). They will appreciate it and you will be welcomed back. If you have questions or need help, the Technical Delegate (TD) is a very useful person, she or he is there to help. The T.D. protects the interest of the competitor, the judges, the USEF, the management, the sport and the horse. |
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Spend time practicing the movements of the test before practicing the whole test
so that you focus on the geometry. Breaking the test down and practicing
distinct pieces before putting it back together will improve your score
immediately. |
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Showing is about testing the training that you've done with your horse. This is your time to show off your connection with this wonderful animal who you love and spend infinite amounts of time and energy on. This is not a time to be self - conscious or shy; this is your seven and a half minutes of fame. This is your time, you paid for it and got up at the crack of dawn to braid and groom and put on those incredibly tight boots! You've done your homework, you've practiced your geometry, and you know what the requirements of each movement are and what the judge is looking for. You know how to make the best use of your corners, no more sliding through them. You have visualized and meditated through the test on the way to the show. You're ready to show the judge your best! |
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Now you're riding down center line, "X" halt - make eye contact with the judge, salute. You're that focused confident rider now.Suddenly your horse is coming through the corner and he is more engaged. His neck is a little up and arched and the canter feels rhythmic. Some of the transitions seem like you just thought the aid and he melted into them. |
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You halt at the end of the test, well maybe it was not flawless yet but you really rode this test and felt a connection with your horse. As you leave the arena on a long rein you're not sure but you think you see another rider walk off with a slightly bewildered, wistful look on her face. |
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Creeky Routson, a USEF "S" dressage judge and "r" eventing judge began studying dressage with Charles deKunffey at age 13 after her introduction to horsemanship at age five with Monty Foreman. She continues her education with top international instructors. Highlights of her USDF Horses of the Year include reserve champion 2nd level and Hanoverian breed champion with Ganster's Dark Legend, Fifth Prix St. George with Gee Lucifer, Fifth 2nd level with Maestoso Gaetana XII-II, 2nd level champion freestyle with Annushka, and 2nd level freestyle challenge, 4th level champion freestyle with Cloud. In addition to freestyle music and choreography (she was the chief choreographer and principal rider of Berkely University's Carousel de Roi), Routson shares her love of animals with her husband and three sons, all of whom have their own horses. |
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Copyright © 2006 All rights reserved. The above article is the property of the Author and may not be duplicated or redistributed in any way without permission.
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